Anitha Guha's "Srinivasa Vaibhavam" captivated audiences with its detailed choreography and aesthetics. The use of dancers to symbolize objects and the synchronized performance of nine young Krishnas were highlights. The grand finale showcasing Tirumala Brahmotsavams transported viewers. A visual treat that truly connected!

R.K The Hindu,26th Mar 2010

"Koodiyirundhu Kulirndelorempavai" impressed with its beautiful music, choreography, and visuals. The production seamlessly blended these elements to create a captivating performance. Young dancers captivated the audience with their energy and convincing performances, especially the Kudhitha Mettu adavus and dhi dhi thais.

Rupa Srikanth The Hindu, 11th Dec 2009

"Koodiyirundhu Kulirndhelore Empaavai" captivated a large audience with its beauty and grandeur. Anitha's interpretation of Thiruppavai, infused with Bhakthi, resonated deeply. The highlight was the innovative use of lighting and sound effects, bringing Vishnu and Krishna to life. Despite the large troupe (25 members), each dancer displayed grace and elegance, a rare feat in such productions.

"Natrunai Aavadhu Namatchivayave" captivated audiences with its cosmic theme. The grand opening procession featuring Nataraja and his devotees was a highlight. Tiny tots Shefali and Kavya stole the show! Meticulous attention to detail and a dynamic presentation of the five Sivas showcasing divine aspects impressed. All 50 dancers displayed their excellent training under guru Anitha.

R. Srinivasan Deccan chronicals, 27th Dec 2005

"Anitha's innovative choreography captivated in 'Sundarar's' portrayal of life trials, betrayals, and redemption. The use of three alternating stage sections effectively unfolded the story. Artistic and traditional maneuvers, sancharis, and jathis left a lasting impression."

R.Srinivasan Indian Express

"Ramyam Hitham Natyam" triumphed over adversity. Despite technical glitches (no lights, props), the improvised performance captivated a large audience. The imaginative concept and excellent choreography shone through. The 'Brihannala' episode was a particular highlight.

R. Srinivasan City Express

Anitha Guha's Hyderabad dance-drama received a standing ovation! The packed audience, with water bottles in hand, stayed captivated for the entire 2.5-hour performance. Her meticulous attention to detail and the audience's dedication made it a visual treat. Her ballets have been a hit across Chennai and beyond!

Priya Raman Hyderabad

Bharatanatyam students wowed in "Pada Kavitha Pitaamaha," showcasing Anitha Guha's choreography. The snake-infested hills scene and visual effects impressed. Powerful war sequence and rhythmic nritta drew applause. Young dancers like Keerthana and Shefali Bahadur stole the show. All displayed skill and grace.

Lalithasai Hindu,Dec 26th 2008

Anitha Guha's students impress with proper form, clear mudras, and energy. Over 120 strong, they set the standard for professional children's dance. Her popular productions even draw crowds outside the hall!

Lalithasai The Hindu,25th Dec 2009

Anitha Guha's "Chitrangada" captivated with its simple charm. Bengali touches deepened the emotion, while synchronized dancing kept the fast pace engaging.

Chitra Mahesh Deccan Chronicle, Aug 5, 2007

Acharya Choodamani Antha Guha's ballet "Chitrangadha" offered a unique take on Tagore's classic, captivating audiences. Anitha's masterful performance, guided by Manjulika Sen and enriched by P.R. Venkatasubramanium's music, brought the princess's story to life. The innovative blend of Bharatanatyam and Kathak nuances further impressed.

R.Srinivasan City Express,18th Aug 2007

Young dancers, from tots to young women, radiated joy in this well-organized Bharatanatyam presentation. Their adherence to classical dance fundamentals, instilled by their guru, was impressive. Disciplined energy, precise entries and exits, and focus on technique (straight spine, heel placement, posture) showcased their meticulous training. A captivating performance that brought a calendar to life.

Anjana Rajan The Hindu,22nd Dec 2006